Mendut and Pawon Temple

Built around early ninth century AD, Mendut is the oldest of the three temples including Pawon and Borobudur. The Karangtengah inscription, the temple was built and finished during the reign of King Indra of Sailendra dynasty. The inscription dated 824 AD mentioned that King Indra of Sailendra has built a sacred building named Venuvana which means “bamboo forest”. Dutch archaeologist JG de Casparis has connected the temple mentioned in Karangtengah inscription with Mendut temple. In 1836 it was discovered as a ruins covered with bushes. The restoration of this temple was started in 1897 and was finished in 1925. Some archaeologists who had conducted research on this temple were JG de Casparis, Theodoor van Erp, and Arisatya Yogaswara. The plan of temple’s base is square, and measures 13.7 metre on each side, with the base level 3.7 metre above the ground . The 26.4 metre tall temple is facing northwest. The stairs projecting from the northwest side square elevated base is adorned with Makara statue on each sides, the side of the stairwall carved with bas-relief of Jataka fable narrating the animal story of Buddhist teaching. The square terrace surrounding the body of the temple was meant for pradakshina or circumambulating ritual, walking clockwise around the temple. The outer walls is adorned with bas-reliefs of Boddhisattvas (Buddhist divinities), such as Avalokitesvara, Maitreya, Cunda, Ksitigarbha, Samantabhadra, Mahakarunika Avalokitesvara, Vajrapani, Manjusri, Akasagarbha, and Boddhisattvadevi Prajnaparamita among other buddhist figures. Originally the temple had two chambers, a small chamber in the front, and the large main chamber in the center. The roof and some parts of the front chamber walls are missing. The uppermost part of the roof is missing, it supposed to have a stupa pinnacle with size and style probably just like the one in Sojiwan temple. The inner wall of front chamber is adorned with bas-relief of Hariti surrounds by children, Atavaka on the other side, Kalpataru, also groups of devatas divinities flying in heaven. The main room has three carved large stone statues. The 3 metres tall statue of Dhyani Buddha Vairocana was meant to liberate the devotees from the bodily karma, at the left is statue of Boddhisatva Avalokitesvara to liberate from the karma of speech, at the right is Boddhisatva Vajrapani to liberate from karma of thought. Currently, during the full moon in May or June, Buddhists in Indonesia observe Vesak annual ritual by walking from Mendut passing past Pawon and ends at Borobudur. The ritual takes the form of mass Buddhist prayer and pradakshina (circumambulation) around the temple. For local Javanese, especially those who follow traditional Kejawen Javanese mysticism or Buddhism practices, praying in Mendut temple is believed to fulfill various wishes, such as deliverance from sickness. The bas-relief of Hariti for example is popular among local Javanese childless married couples to pray for a child, since in traditional Javanese beliefs, Hariti is considered as the symbol of fertility, the patroness of motherhood and protector of children. Pawon (known locally as Candi Pawon) is a Buddhist temple in Central Java, Indonesia. Located between two other Buddhist temples, Borobudur (1.75 km to the northeast) and Mendut (1.15 km to the southwest), Pawon is connected with the other two temples, all of which were built during the Sailendra dynasty (8th–9th centuries). Examines the detail and style of its carving this temple is slightly older than Borobudur. The three temples were located on a straight line, suggesting there was a symbolic meaning that binds these temples. “Between Mendut and Borobudur stands Pawon temple, a jewel of Javanese temple architecture. Most probably, this temple served to purify the mind prior to ascending Borobudur.” The original name of this Buddhist shrine is uncertain. Pawon literally means “kitchen” in Javanese language, which is derived from the root word awu or dust. The connection to the word “dust” also suggests that this temple was probably built as a tomb or mortuary temple for a king. Pawon from the word Per-awu-an (place that contains dust), a temple that houses the dust of cremated king. However who was the personage that entombed here is still unknown. Local people name this temple as “Bajranalan” based on the name of the village. Bajranalan is derived from the sanskrit word Vajra (thunder or also a Buddhist ceremonial tool) and Anala (fire, flame). In the contemporary era during the full moon in May or June, Buddhists in Indonesia observe Vesak annual ritual by walking from Mendut passing through Pawon and ends at Borobudur. The temple slightly faces northwest and stands on a square base. Each sides of the stairs and the top of the gates are adorned with carved Kala-Makara, commonly found in classic Javanese temples. The outer wall of Pawon is carved with reliefs of boddhisattvas and taras. There are also reliefs of kalpataru (tree of life), flanked between Kinnara-Kinnari. The square chamber inside is empty with a square basin in the center of it. Rectangular small windows were found, probably for ventilation. The roof section of is crowned with five small stupas and four small ratnas. Because of its relative simplicity, symmetry and harmony, the historians dubbed this small temple as “the jewel of Javanese temple architecture”, in contrast with tall-slender East Javanese style counterparts as founds in later Singhasari and Majapahit period. (Source: Wikipedia)